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Vocal Fach : Dugazon Mezzo-Soprano 3 octaves and 2 notes and a semitone  The dugazon describes an intermediary voice type between a mezzo-soprano and a soprano. They have a darker timbre than a soprano but a brighter timbre than a mezzo. Del Rey does not have the booming … Continue reading.
Analysis : Lana Del Rey possesses an instantly recognizable but untrained voice that has become one of the most influential of her era. Her voice is naturally quite bright with a weak lower register.
However, through practice, she has developed a lower extension due to her motivation to sing lower, not higher, than her contemporaries. Nevertheless, her aloof style has influenced works from the likes of Taylor Swift, Lorde, and others. Her low notes were perhaps her most identifiable feature early in her career, providing a strong contrast to her bright and feminine upper register. However, this part of her range is quite foggy and inconsistent, exemplifying her rather shallow breath support.
Live, however, these notes are often not centered in the center of the pitch and lose tone as a consequence. While she seems comfortable all the way down to C3, this part of her range is not as robust as one would expect from a true mezzo-soprano, which helps support her classification as a dugazon. She seemingly recognizes this and Lana del rey contralto focused more on the upper half of her voice in more recent projects and performances.
She rarely uses her upper chest voice B4-F5but instead, she opts for her head voice or her falsetto. Her falsetto is light and airy, and Del Rey has no issues staying in this register for extensive periods even as she pushes it. This range tops out around soprano c C6as she loses control of her clarity and picks up substantial grit. Though not utilized often, she blends her chest voice with her head voice well, demonstrating control of her passagio, although the sound is head dominant, which conveys a shy and unconfident sound.
Lana Del Rey is a decent vocalist, with her shortcomings stemming not from a lack of ability but rather an attitude of indifference and lack of confidence. The overwhelmingly nasal quality of her sound and inconsistent posture  Del Rey often slouches while singing live instead of keeping a straightened back. If she were to put more effort into honing her instrument, she would likely find it a worthwhile investment.
We consider Lana Del Rey to be a dugazon mezzo-soprano, an intermediate voice type between a mezzo-soprano and a soprano. Her lower register is not as robust as one would expect from a mezzo, but her timbre is darker than a soubrette or soprano.
Dugazons take their name from the types of operatic parts French mezzo-soprano Louise-Rosalie Lefebvre also known as Madam Dugazon would often take, now given to dark-timbre sopranos and lighter-timbre mezzo-sopranos. A modern example of a dugazon would be Cora Canne Meijer. No, she lacks the weight, timbre, and tessitura of one. However, she may be given an alto part if she sang in a chorus.
This article was originally posted May 26th, It was republished on March 22nd, It was last updated on March 22nd, An analysis of Annie Clark St. Vincent stretches and bends her voice to match her typically distorted instrumentation. Vocal Profile. Critic of Music March 22, May 27, Del Rey does not have the booming … Continue reading Analysis : Lana Del Rey possesses an instantly recognizable but untrained voice that has become one of the most influential of her era. What is a dugazon?
Is Lana Del Rey a dugazon? Is Lana Del Rey a contralto? Del Rey does not have the booming lower register one would expect from a mezzo-soprano, but a darker timbre than a soprano with a weaker upper register. Now I sing quite low… well, for a female anyway.
Related posts Vocal Profile. Vocal Range and Voice Profile: St. The dugazon describes an intermediary voice type between a mezzo-soprano and a soprano. Del Rey often slouches while singing live instead of keeping a straightened back.Lana del rey contralto
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Vocal Range and Voice Profile: Lana Del Rey (Updated )